Tambudzai:
While this is the central character of the book, I held on to her until this point because she puzzled, excited and reminded me of me so many times I felt dodgy and guilty. Tambu has (had) so much spirit and ambition, and did not mind her brother dying for her to achieve her dreams (not the part that reminds me of me). But Tambu’s sense of rebellion is mapped around a concept of progress that has been handed to her by circumstances. First, she sees the poverty in which her family exists, and is given ample opportunity to discover the other side of the coin through her observation of her uncle’s family. She is constantly comparing herself with those who are celebrated as being worthy, and questions why she herself has not been found so.
One has got to admire her determination when she makes that trip to the town centre to sell maize that she has painstakingly planted, even against Nhamo’s evil attempt to destroy what she had worked so had for. One has also got to admire how much she wants to get into school, for she is able to see that it is because of education that Babamukuru has been able to achieve all that she has. Of all the characters in the book, she is surprisingly the one who most resembles Babamukuru. She is a real rags-to-riches case, but has a whole lot of determination that drives her towards her goal. The author of The Secret and any Obamaniac would be proud of Tambu!!!!!!!!!!!
But Tambu, like Maiguru is a tragic figure. In all her determination, and in all her willingness to obey Baba, she is under-appreciated by him. He refuses to see her potential beyond the fact that she will get a good husband and be in a position to help the rest of her family. Also, and this is the part of her that most reminds me of me, she is quite uncritical of what is going on, and when she knows she should be critical, she struggles to push these thoughts to the back of her head. I say it reminds me of me because often, I found that fighting the system was so much harder, such hard work. It was often easier just sitting back and accepting what was going on.
No, I am not proud of this, but that is the truth. Often, you want to get there so badly, you are willing to ‘suffer’, punish yourself to reach there. Always, an invisible hand is swinging opportunities in front of you, and you have to humiliate yourself to get there. Sounds pathetic but that’s exactly what Tambudzai and to a large extent most of us have had to go through to get to where we are. But I do not necessarily blame myself for it, just like I do not blame Tambu. What were her options? Defying Babamukuru like Nyasha did is a luxury of course she could never have afforded! Only Nyasha, whose blood ties disabled Babamukuru’s powers had the audacity to challenge that blanket god-like power when no one else could.
Perhaps also, Tambu’s being a child also worked against her. Look at Lucia who countered Babamukuru all the way but still got what she wanted out of him.
I suppose the weakness of Tambudzai is even more tragic because she was helpless in her limited knowledge of what she could or could not do. Like an overwhelming power against her, she had to suffer an intense patriarchy to get to what she wanted.
Eventually, Tambudzai just suffers from the fate of ending up in a catholic boarding school. I remember going to a catholic boarding school, and some of those things that Tambudzai heard about these places are actually true. There were often young girls who were marked for entry into the convent. Their school fees were paid by the church and when they were ‘ready’ they would discreetly be recruited into the schools. It was always funny when some of them actually fell pregnant because that always meant the end of their careers in the nunnery and of course a huge disappointment on the part of the nuns. But maybe we are yet to uncover new forms of resistance!
One last focus on Tambudzai: her relationship with Babamukuru. Particularly that fateful day when she dared to say she did not want to be part of the wedding procession!!! Babamukuru’s generosity is finally and completely put to the test at that point: he begins by torturing Tambudzai with ways in which he had been generous to her, and Tambu can only stammer in reply. That GUILT that she feels at that point would be a source of interesting reflection. It is a guilt filled with fear, the fear of that invisible hand taking away everything you had ever dreamed of….
But in the end, just like in the case of all the other women, Babamukuru decides not to push it too far, because he knows deep down, Tambudzai is so much more than he had expected. However, he punishes her, because she dared to defy him, a god! The character of Tambudzai is therefore one of guilt, fear and most of all extreme punishment and humiliation that she has to endure just to get to where she wants to go! Mppph!
Nyasha:
I had to leave her for last. There is a book I read in my high school, it was a set book, chosen for purposes of being examined on it at the end of the year. I think it was called Mashetani, ‘The Devils’. The details of it are hazy now, but I remember someone who suffers from a nervous breakdown because he or was it a she could not understand why everyone was so readily accepting socialism when he could see through the evil behind the architecture. I think it was that. The book was written by a famous Tanzanian writer whose name I forget now, but it was a stunning book, the kind we should be reading more and more rather than watching sex and the city:-)
Anyway, what I got from that book reminded me of Nyasha, or is it that Nyasha reminded me of that book? Either way, it is with great sadness that I regard such characters, the geniuses who think ahead of their times, the intellectual who suffers because she can see beyond what is blanketing the truth. While the theme of the alienated intellectual is pretty common in African writing, it is still normal one of the most tragic characters.
Mohammed Said Abdallah. That is the name of the author of Mashetani. (Sorry, had to put that in).
Anyway, Nyasha is a beautiful creation. She says and identifies those aspects that are wrong with the system, the colonial and patriarchal systems. Unlike Tambu, she has the language and tenacity to identify these things and naturally falls out of favour with her father. However, the author refrains from using her forcefully as the voice of reason but uses her to explore the dilemma of the intellectual born way ahead of her time. In a tightly and unapologetically patriarchal society such as hers, clearly there’s no winning the war with Babamukuru and the rest of the men (and women, think of Tete), but she goes ahead and says what she thinks is right.
Unfortunately she has a nervous breakdown, and during her moments, it’s clear she takes issue with the system and how people are accepting what in her mind is poison to their society. That she is Babamukuru’s biggest critic should not go unnoticed. She criticizes the power of capitalism, male power, presence of white people, the way in which the system is all for consuming the minds of the natives. Perhaps the whole book is about her, and Tambu and their inner turmoil’s, as they are the two characters most explored in this regard.
I think I need to re-read the Wretched of the Earth before I undertake the arduous task of reading the sequel to this book, The Book of Not. Eish!
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