A few nights ago, with nothing to watch, I reluctantly drew from my pile of movies, one that has been sitting there for months. Out of Africa.
Unlike the book by Karen Blixen, the movie version is painful to watch. Beautiful story to a non-Kenyan, non-black, non-African. Then again, I cannot claim to speak for all blacks. Other black people have a totally different experience of Africa. Even other Africans (My experience in South Africa has taught me this).
Anyway, I began watching the movie half-heartedly. I really wasn't sure what I would find in it, but I was sure to find the racist bullshit that seemed so innocent to the unknowing viewer. I was not disappointed. Scores of half-dressed men (men - absence of women) running around to welcome the Memsahib. The occasional defiant Kikuyu man, who must in the end give in to the gentle power of the madam. The use of the Kikuyu and Maasai as filmic background to an otherwise all-white experience of this savage land, complete with lions and other wild animals featuring as a constant threat to the well-being of the white lead character. Meryl Streep looks fabulously delicate I must add.
Point is, as a Kenyan and an Afro-conscious person, I refused to watch the whole movie in one sitting (small pockets of resistance). I kept seeing the gaps in the movie, discovering the spaces that needed correcting and revising.
Don't get me wrong. The movie was good. My problem was that of representation. One cannot over-emphasize the need for proper representation in movies (see bell hooks Race and Representation). Otherwise, what's to stop an ignorant white person from treating me the way Africans are often treated in the movies? Why should I be cross if someone should make certain assumptions about me simply because I am an African?
Movies, being some of the most consumed forms of popular culture are crucial in creating images of 'truths' and 'non-truths' in the minds of consumers. People see Rambo and they begin to imagine that America is full of tight-lipped heroes who would do anything, including risking their lives to save their country. Poeple watch Jet Li and Jackie Chan and assume Asia is all about fighters and warriors. People watch Tsotsi and associate black people with crime in South Africa. Its not even a joke. How many South African novels, plays and movies do you watch that do not at one point or the other bring up the idea of the black man as a criminal? And the Kenyans. Between the Kalenjin long distance runners and the Statue-like Maasais in the open green fields, what chance have those of us in betweeners got? Oh, and if you were not a Mau Mau as I recently found out, you do not feature in the map as Kenyans. I was once asked, as I tried to explain Kenyan politics to a Zimbabwean, if I had ever fought for land. Tricky question, given the fact that Kenyans fought for land in the 50s and earlier. I wasnt born, neh? But no. It matters that I did not come from the Kikuyu community, who fought with the white man until we got independence. How does one even begin to explain the role 'we' played?
Yet in all the places I have named, other things take place. People live. People deal with situations as they come.
Which takes me back to Karen Blixen. Eish. You know, perhaps today I will go back and watch the second half. I stopped at the place where she makes a journey across a savage forest filled with lions, to find her husband who has abandoned her.
Wish me luck.
SLS Kenya
16 hours ago
